the Production of Subjectivity
disobedience, the territory I am exploring is how subjectivity in paint,
performance and video can be
reinvented in order
to penetrate and be effective beyond the actual material properties
of art, and in this sense, to work towards dissolving the immediacy
of aesthetic surface
therefore, in the subjective, almost as an annunciation of my own individual
belief is important, as it is also to the interpretative
assimilation of the audience. Subjectivity has to be revalued, retrieved
and renewed, made new in different configurations of material alongside
the incorporeal in terms of the essence in the domain of all the
The influence of globalisation often encourages a generality of subjectivity
separate from the pre-condition of the individual. With this in mind,
the way back is one of locality, the local, the territory of where
one is, the idea
of thought, the idea of interpretation in the free space of the mind
without the speed of communications demanding quick decisions. Whatever
it is, it is the space of the habitat in the mind and body known
to oneself as a familiar space, the local space of a living entity
that the real can find
its place. Once found, the strength of the locally real requires
that a constant reiteration is necessary.
in Deleuze’s thought, my attempt is to escape societal
developments of consciousness, to be able to face a canvas of
unmediated by established meanings.
even, a modern Prometheus (unbound).
If one stutters maybe a new meaning may appear between subjectivities.